Like so many others today, I am saddened by the
passing of Leonard Nimoy, the actor best known for his portrayal of Spock in
the classic television series Star Trek.
A friend of mine (who is the age of my son) asked
which original series episodes would be best for Spock-watching this weekend,
and I told him that just about any episode that was good for Spock was good for
the whole series. However, these are the ones that immediately came to mind:
• In a Season 1 episode, The Naked Time, Spock is infected by the same germ that has
affected the rest of the crew and begins to lose his inhibitions, releasing the
emotions he has pent up throughout his life. He breaks down and cries,
confessing to Kirk how he never even told his mother (a human woman living on a
world where emotions were considered “bad taste”) how much he loved her — our
first real glimpse behind his Vulcan facade.
• Later in the season, Galileo Seven gives us a “lifeboat episode,” with a small number of
crew under Spock’s command trying to repair their crashed shuttle while under
attack from giants on an uncharted, inhospitable planet. The crew soon turns on
Spock, whose lack of emotional reaction to the stresses makes him a target of
their fear and anger. However, it is Spock’s “hail Mary” at the end that saves
them all.
• Another outstanding first-season episode, This Side of Paradise, again allows Spock
a chance to lose his self-control, this time under the influence of alien
spores. The hour gives Nimoy a chance to embrace his most naturalistic acting
of the entire series as we see the first officer experiencing true bliss and
true love, finally able to express himself freely. He then puts the mask back
on, his “self-imposed purgatory” as he calls it, to help Kirk save his ship and
crew.
• Amok Time
kicked off the second year with Spock going into his mating season, which
required him to return home or die trying. His visible struggle to maintain
dignity, his sadness when he believes he has killed his captain, and the
brilliant smile that escapes from under his mask when the truth is revealed — these
are truly great moments by Nimoy that made Spock so much more real to fans.
Other good Spock moments can be found in Journey to Babel, which introduces Spock’s
mother and father; The Devil in the Dark,
in which Spock mind-melds with a dangerous blob creature and experiences its
physical and emotional pain; The City on
the Edge of Forever, in which Spock is tasked with building a computer
using “stone knives and bearskins” while Kirk falls into a doomed love; Mirror, Mirror, which shows us that even
the Spock of a parallel “evil” timeline is subject to the demands of logic; Specter of the Gun, which finds Spock
melding with the crew to save them from death in a manufactured OK Corral
scenario; and All Our Yesterdays,
which has Spock cast back in time on a frozen world and falling in love with
Mariette Hartley, who is wearing little more than a stone knife and bearskins.
"I Reach." |
I even have fondness for the two most-ridiculed
episodes of the series because of their very fine Nimoy moments, which have to
be seen to be believed. The Enterprise intercepts a bevy of space-hippies in The Way to Eden, and we learn how Spock “reaches”;
he is not Herbert. And the Season 3 premiere, Spock’s Brain, which finds Kirk and Co. tracking Spock’s stolen
brain across the galaxy with a remote-controlled Spock body along for the ride.
Nimoy, of course, was much more than Spock. To fans
of his work, he was a photographer, poet, playwright, author, producer,
director — and even singer. (Look up The
Ballad of Bilbo Baggins for a lark.) He was a social philosopher, truly
embracing the concepts of Infinite Diversity in Infinite Combinations that
surfaced on Star Trek.
And as such, he was, and always shall be, our
friend.