Stories shared in the slipstream

Me, before the beginning.

PANAMA CITY — Writers and listeners and artists gathered Saturday at Floriopolis in St. Andrews for an evening of stories and conversations. Part of the gallery’s exhibit, “The Space Between Words,” the readings were offered by writers who had been recognized in a related short story contest.

The Space Between Words is an art exhibit, a “living” art project, a short story contest, and a fundraiser for Floriopolis. The individual words of Tallahassee writer D.A. Robin’s winning story are being sold as tattoos, so that the story will live and breathe on dozens of people who can construct their own meanings from the words and combinations of phrases. Tattoos, by artist Adam Whitehead at Panama Fox, are $25 per word.

Some families are getting tats of words together, so they can all be part of the story. Even punctuation is for sale, and one woman I know bought enough periods and dashes from Robin’s story to spell her husband’s name in Morse code.

Heather Parker, at right.

“That’s more emotion and personal connection to the story than I expected,” Heather told me in an email. “People have pretty deep reasons for getting tattoos — committing to permanent body art. ... Even I am having to stretch my perception of who gets body art, and we’re all probably guilty of stereotypes when it comes to art.”

As the gathering began, two young women dragged to the event by their mother amused themselves with the lighted zoetrope and drawing “spots” for the Art on the Spot project. A Tallahassee woman sat nearby, hand-writing a scary story she was entering in an anthology later the same evening. Kids on skateboards drifted past the big front windows, and visitors and guests mingled.

Gary, about to read.

Tallahassee made a good showing, with a large group in attendance to support their friends and contest honorees, which also included G.L. “Gary” Dearman and Amy Topol. Dearman started the event with his spirited reading of his tale — which he joked he had titled “The Space Between Words” to curry favor with the judges — about the secret source of infinite stories.

Other readers included Craig Bush of Fountain, who read the preface to his newest novel, “The Forever Effect”; Samantha Neeley, reading her contest entry, “Epilogue for a Corpse”; and me, reading an excerpt from my serial novel, “Giants in the Earth.”

D.A. Robin

Robin read a portion of his entry, “The Boy and His Beach.” The full text will not be released or performed until the end of the exhibit’s tattoo component, so as not to influence the meaning of the words still for sale. Topol brought the house down with her emotional reading of “Flashback,” which was recognized as a story of distinction in the contest.

After the readings, the Tallahassee group strolled to Gracie Rae’s for a sunset supper and party on the deck overlooking St. Andrew Bay.

Dearman said he was jealous that we had a place like Floriopolis, as Tallahassee has nothing to compare with its interactive community focus. He also educated me about “slipstream,” a term for fiction that uses the surreal or strange (sometimes sci-fi or supernatural elements in an everyday setting) to elicit cognitive dissonance; I joked that my non-fiction sometimes had that effect.

Amy Topol, bringing the room to tears.

At least, I meant it as a joke.

Peace.

Quick updates

Here is my column this week, which looks at the Sketch Crawl in Panama City and some of the words being sold at Floriopolis as part of the Space Between Words exhibit.

And here's my column from last week, which basically looked at the upcoming Summer Theatre Program at Gulf Coast State College.

Watched the first two episodes of a new sci-fi/space bounty hunters TV series, KillJoys, which has a sort of Firefly element. Extremely low budget, but interesting. I'll watch more of it when it hits TV this summer on Syfy.



I'm still doing the Fiction Fest at Friday Fest on June 5. We're adding new authors, and getting background on them in updates to the event page; check it out.

Received a rejection note this week (from a horror publisher I submitted my initial CALIBAN novel to) that managed to make me feel good about the work despite the "no." The note included the chain of comments from each of the publisher's reader/editors. Such as:
...First several pages well written, story seems cool if he can pull it off...
...Pass but ask if he has anything else. I'm just not that into Cthulhu and Lovecraftian stuff. ...
... we appreciated your style and strong writing skills, and invite you to submit other works if you have them.

As I said on Facebook, it's a weird feeling, knowing they liked the story (and my telling of it) but decided to wait for something else. I'll take this one as a win, despite the obvious. Thanks for the consideration, and just you wait until you see what else I have in store...

Peace.

Exhibits, contests explore ‘The Space Between Words’

FLORIOPOLIS | Contributed Photo

Artists are building a model replica of Beck Avenue in historic St. Andrews “out of words” as part of “The Space Between Words” exhibit currently running at the Floriopolis gallery and art center.

MY STORY CHOSEN AS 'STORY OF DISTINCTION' 

PANAMA CITY — You may have become adept at reading between the lines, but understanding and confusion come from the same place: the space between words.

Floriopolis, the arts and culture co-op in historic St. Andrews, is in the midst of a long-term interactive exhibit on that subject, which includes art on display, a short story contest and more. Heather Parker, the artist and creative director behind the Floriopolis, announced this week the winners of “The Space Between Words” short story contest.

“We had 16 entries and sent them all on to the judges,” Heather said. “The panel of three judges used a point system to narrow down the finalists and select an overall winner. We are looking into ways to include entries in other parts of our summer exhibit ‘The Space Between Words,’ so if you are interested in options that may come up, or have ideas to share, please do let us know.”

The winning story is “The Boy and His Beach” by D.A. Robin. Its 1,733 individual words and punctuation marks will be “sold” for $25 each to people who want to have the words, phrases and/or marks tattooed on their bodies (cost includes cost of the tattoo by Panama Fox). The project is a fundraiser for the non-profit gallery.

It’s amusing to consider a story being carried into the world in such a fashion.

“The winning story gives us the words to use for our community tattoo project and fundraiser,” Heather said. “We’re including punctuation in the ‘word count,’ for a total of 1,733 ‘words’ to sell. We won’t be releasing the winning story in its entirety for quite some time, focusing first on selling the words, phrases and punctuation, allowing buyers to make their own connections and participate in this large, ambitious project.”

Other stories in the contest also received note:

•Stories of Distinction were “Flashback” by Amy Topol, and “Whisper in the Night” by Tony Simmons (that’s me!).

•Honorable Mentions went to “The Space Between Words” by Gary Dearman, “Epilogue for a Corpse” by Samantha Neeley, “Tammy Fell Down” by Linda Morgan, “Tattoo Therapy” by Julie Werner, “Paul Clifford” by Dr. Dan Finley, and “Buddy” by Craig Bush.

For more information on the exhibit, the contest, and the tattoo portion of the project, drop by Floriopolis at 1125 Beck Ave. in Panama City (open 10 a.m. to 8 p.m. Tuesday and Saturday, and noon to 6 p.m. Wednesday-Friday), call 850-249-9295, or visit Facebook.com/Floriopolis.

Words and pictures also get close examination in the following contest and exhibit:

Poetry Month Contest

We can all use a little more poetry in our lives, and to that end the Bay County Public Library in Panama City (NWRLS.com) is holding a contest to mark National Poetry Month. Prizes will be awarded to the top three poems, all of which will be displayed in the library for a year. Here are the simple rules:

 Submit only one original poem.

 Poem can be printed in pencil, pen or typed. If it’s handwritten, make sure it’s legible.

 Put your name and a working phone number on the entry so you can be contacted.

 Place your poem in the container in front of the library’s National Poetry Month book display.

Librarians will judge the poems and announce the winner(s) at the end of April. It should go without saying, but don’t submit someone else’s poem as your own. Librarians will be checking for copyright infringement.

For more information, stop by or call the Reference Desk at 850-522-2107. The library is located at 898 W. 11th St., Panama City.

Posters Without Borders

Gulf Coast State College’s Visual & Performing Arts Division is opening an invitational exhibition, “Posters Without Borders” with a free lecture and public reception today. The exhibit was organized by Eric Boelts of Colorado State University, Antonio Castro of the University of Texas at El Paso, and Erin Wright of the University of Alabama at Birmingham.

Participating artists represent more than 20 countries around the world including Zimbabwe, Israel, Cuba, Mexico and Bulgaria. The exhibit explores the topic of immigration and raises questions such as: What is the meaning of nationality? What are the causes for immigration? What is the effect on the host country? What is the immigrant experience?

Wright will present a curatorial lecture 1-2 p.m. Friday in the Amelia Center, Room 128. An opening reception for the exhibit will be 5-7 p.m. Friday.    The exhibit will be on display in the Amelia Center Main Gallery, Room 112, until April 23; gallery hours are 10 a.m. to 4 p.m. Monday-Thursday. Admission is free and open to the public. For details, contact Pavel Amromin at pamromin@gulfcoast.edu

In any case, remember to use your words.

Peace.

Artist's Touch: Breathing Life into Feats of Clay

Meghan Sullivan at Floriopolis

PANAMA CITY — Meghan Sullivan says she has to stay in motion. A sculptor and potter, she works in terra cotta, making tiles, plates and figures. She also teaches drawing at Gulf Coast State College and the Visual Arts Center of Northwest Florida.

“I really like the tactility of making things,” she said during a conversation at the Floriopolis gallery in St. Andrews. “I don’t think I could sit in an office all day long and be happy.”

This year’s artist-in-residence at GCSC, Meghan grew up in Boston, the youngest of six children.

“My parents always had art around us,” she said, adding that her father worked for the city Arts Council. “We had these handmade plates, and we would fight over who got which one, because siblings fight about everything.”

Girl and Frog tile by Sullivan

Her older sister attended a free after-school arts program while in high school, and when Meghan was old enough, she joined the program because “I wanted to be like her.” She spent the four years of high school receiving six hours of art classes each week.

Meghan attended the Massachusetts College of Art, which was across an alley from her high school. It was affordable, and she could live at home. In her freshman year, she took a pottery class that changed her life.

“It was the most challenging class I had taken up to then, and I was compelled by it,” she said, and by graduation, she was creating ceramic figures.
She took a job working 40 hours a week throwing plates, bowls and cups, then got a residency just outside the city, teaching and doing figurative sculptures. She applied to the University of Florida and was accepted as a post-baccalaureate student.

“It was my first time away from Boston,” she said. “It was very hot, and the first time a lizard came into my house I freaked out. But I really liked living in Florida.”

Meghan eventually got into grad school in Nebraska, earned her master’s degree, and joined the AmeriCorps to pay off some of her massive student debt. In that capacity, she worked with elementary schools in blighted neighborhoods, building community gardens with children and organizing big awareness campaigns and events.

She also did creative projects and volunteered as a bike mechanic at a co-op. Finally, she was offered a job with the city. “But I knew if I stayed there another year, I would end up living in Lincoln, Neb., for my entire life,” she said. “I really missed ceramics, and I was teaching but I wasn’t teaching art.”

Conversation by Sullivan

That’s when she learned about GCSC’s Artist in Residence program. She arrived in Panama City in time for the 2014 spring semester, and was invited to remain through the 2015 school year. She was already familiar with Tammy Marinuzzi and Pavel G. Amromin, assistant professors in the college’s Visual and Performing Arts Department, who were also in Gainesville when Meghan was a student there.

“We shared a car ride once,” she said. “I knew how they drove, but I didn’t know them that well. But I’m a figurative artist, they’re figurative artists, so we kind of feed off of each other.”
A solo show of her work will open at GCSC Feb. 27 and be on display through March. Meghan’s artwork is shaped by her personal experiences, according to a statement on her website (MeghanSullivanCeramics.com) — specifically, being part of a large family and growing up in an urban environment. She calls herself “a storyteller,” for whom the journey is as important as the destination.

“While my background has influenced the tone and content, it is not straightforward autobiography,” she said. “One specific instance in a larger experience is used and extrapolated from in order to create the final composition. ... While the conclusion may not be clear, the meaning of my work is found in the pondering of it.”

Artist's Touch: Art in the Family

Sarah, Theresa, Taylor and Craig Bush at Floriopolis

PANAMA CITY — Craig Bush described his family as “unconventional” during a recent conversation at Floriopolis gallery.

“We all tend to be nonconformist,” he said. “We don’t listen very well.”

What they do well is pursue their muses. Craig, 64, is a retired educator, novelist and painter. His wife, Theresa, 62, is a retired paralegal, jeweler and crafter. Their daughters — Sarah, 36, and Taylor, 29 — are artists working in acrylics, ink and other mediums.

All four gathered on the couch and chairs at Floriopolis to talk about the way art is part of their lives, both as a family and as individuals.

“I was poor growing up, so there wasn’t a whole lot I couldn’t do,” Theresa said. “I still feel that way. I was taught if you want it, then you do it. You make it. I made things because I needed to have them.”

Theresa in her workshop.

Theresa has sewed and made crafts all her life, but retirement gave her time to focus on creative pursuits. After taking an Education Encore class on jewelry design at Gulf Coast State College, she discovered a love of jewelry making — though she wears almost none herself. She also does stained glass art, baskets, felt figures and more.

Her work is for sale at Floriopolis, RTA Designs, and Shipwreck Ltd., but she hopes to do more online sales in the new year. Her Etsy.com store is Four Free Spirits.
“I don’t want to make a lot of money, I  just want to make stuff and get rid of it so I can make more stuff,” Theresa said. Sarah responded, “I want to make enough (money) to replace my low-level job.”

Art by Sarah Bush

Craig said Sarah was in middle school when they all recognized her artistic bent. Her successes encouraged the rest of the family to “kind of dabble” in art more. But Sarah recalls always having art in their home.

“That’s what you do in life. You make stuff,” Sarah said. “When I was little, Pop would write messages in symbols and have me decode it, and that’s a lot of what I do now with iconography, symbology and archetypes. ... My parents have always been creative, as long as I can remember. Even my grandmother was always making a quilt or sewing something.”

When Sarah was in daycare, Craig would walk her home in the afternoons. They collected pieces of colored glass on the roadside each day and glued them to a length of driftwood.

“It’s still hanging on our wall today,” he said. “It’s a little bit bizarre.”

Sarah received an art scholarship to Gulf Coast State College, but kept taking art labs instead of other core courses. After some time focusing on drawing and “building sturdy things,” Sarah said she’s trying to go back to “actually painting.” Her work is online at SarahBushArt.com

Art by Taylor Bush

Taylor said Sarah was her early inspiration, and she took the same classes with the same teachers Sarah had. Taylor creates black-and-white designs and is looking into making prints, fabric designs and possibly T-shirt images, mass producing some of her drawings.
Craig’s debut novel, “Hometown,” was released this autumn, and he’s just completed the first draft of his next novel, “The Ninth Rainbow,” which he hopes to publish in early 2015. “It’s somewhat apocalyptic, but it ends up with a lot of hope,” he said.

Of the creative process, Craig said he follows where the characters lead him: “I often don’t have a clue what they’re doing. When it’s best for me, I can’t type fast enough to keep up with it.”

Craig also paints impressionistic landscapes that he describes as “a little bit Van Gogh-ish.” He has never tried selling any of his paintings, adding that “none of us is great at marketing ourselves.”

As a child, Craig’s imagination was encouraged by a teacher who gave him a copy of “Stranger in a Strange Land” by Robert Heinlein. But reading Herman Hesse in the 1960s made him want to be a writer. He studied journalism in college before shifting to education.

Craig at his writing desk.

“With the novel release, I think I had the right expectation, which was no expectations,” Craig said. “It’s shown me the importance of people in the arts being willing to help one another. It’s not a competition.”

The children have their own places now, but Theresa still had some trepidation about how Craig’s retirement could cut into her creative time. Over the years, each of them has learned to value a level of solitude, but she said it took “some adjustment” when he began staying home all day.

“I think we all appreciate our alone time a lot,” Taylor said, adding that the creative process requires solitude as well as preparation and openness. “Sometimes it’s sort of like a transmission from the universe, and you’re there to catch that. I think that’s the point of the whole thing. It’s super magical.”