Wednesday, May 01, 2013

American~Indian




PANAMA CITY BEACH — Ford Seeuws is a surfer, a violinist, a filmmaker, a seeker. A Bay County native, he’s husband to Melissa and father to Satya and Rohan, and they all recently returned from a two-year stay in India.

Ford’s feature-length documentary on their time there is called “American~Indian.” It’s now for sale online, as a way to help Ford finance future film work upon their return to India, and it will be available to view on YouTube soon.


“We had always been interested in India, but we wanted to see if we could really make it home,” Ford said, explaining the process that led to the film. “At first we started taking Hindi classes. I landed a job with a tourism/travel company to make short videos that could be used to show clients famous cities and destinations.”

All the while, the camera rolled on just about everything the family did, and Ford used these as video blogs on YouTube. (You can link to these videos in the online version of this column at PanamaCity.com.)

“In January of this year, I met with some of the good people who manage Kunzum Travel Cafe in Delhi’s Hauz Khas Village,” he said. “They were hosting a film series and after seeing one of my YouTube videos, wondered if there was anything I wanted to show. As much as I believe in YouTube and the power of vlogs, I felt a bit self-conscious showing these low-production value vlogs on a larger screen.”

He edited together footage from the vlogs with higher-definition travel videos for a feature length presentation shown at the cafĂ© on Jan. 25, but he wasn’t satisfied with the result.

“People really liked the first half, but the frenetic pace of vlogs was too annoying to sustain for a full 75 minutes,” he said. He decided to make some changes, slow the pace, add some narration and extra content, and: “What you will see is the new and improved final version incorporating some of the feedback I got from viewers of the first film.”

Ford’s past travels have been partially financed by family, friends and churches, as well as his corporate work, but he’s hoping to transition into a business model that will allow him to focus on filmmaking alone. He wants to further his immersion into India and open the minds of people on both sides of the world.

“It has been a great experience. Every time I travel overseas I learn something new,” Ford said. “Getting down on the ground, the immersion process is something I really resonate with. … It made me realize so many preconceived notions we have are not fair.”

India is a diverse place, he said, with 18 major languages and 1,000 dialects. And yet, there are only three official religions (Christian, Hindu and Muslim) and you have to register with the government as belonging to one of them.

“You can’t be an atheist,” he said.

 Tensions are often high in the country, with people breaking into factions along religious, ethnic or geographical lines. But it’s also a time that seems on the threshold of bright changes, with start-ups and NGOs opening up new forms of business and revenue.

Ford plans to return to India in about six months.

“I see myself more as a non-governmental ambassador,” he said. “I try to get these cultures to understand each other, to show them that not all Westerners are colonial jerks. … I hope to be a peacemaker, I guess.”

Peace.

Friday, April 26, 2013

Flashback Friday: Lady Starbuck for new 'Galactica'


(I interviewed Katee Sackoff by phone just prior to the premiere of the original mini-series pilot for 'Battlestar Galactica.' Syfy was still 'Sci-Fi Channel' back then. Here's the story that ran in The Entertainer on Friday, November 28, 2003:)

Strong females dominate new 'Galactica'

TVGuide.com
If there's still life in the Battlestar Galactica franchise, as the Sci-Fi Channel hopes there is, then actress Katee Sackhoff can claim a lioness' share of the credit.

Sackhoff, 23, gives life to a new take on the legendary space pilot and scoundrel, Starbuck - portrayed in the original 1978 Galactica TV series by actor Dirk Benedict. Starbuck's still something of a maverick and a hot head, even though he's no longer a he, she said.

"From the beginning, I loved the character," Sackhoff said in a telephone interview from her home in California. "I thought, for a young woman, she was written so well - a strong, independent woman. She's also very much a loose cannon. You never really know what Starbuck's gonna do. I think that comes across on screen."

Battlestar Galactica, a four-hour miniseries, premieres on The Sci-Fi Channel Dec. 8 at 8 p.m. It's a new take on the original concept, which told the story of human refugees fleeing their robot enemies across the depths of space, seeking sanctuary on a mythical planet called "Earth."

This time around, the robots are beautiful people, there's no barking "daggit" or annoying tykes, and the battles owe more to Blackhawk Down than Star Wars. The changes - Sackhoff's female Starbuck, in particular - sent fans of the original into hysterics and set Internet bulletin boards aflame.

"At first it upset me because I took it personally," she said. "You just can't read it and can't take it personally.   I would like them to give it a chance. I think it's a great mini-series."

Many of the major roles are about female empowerment, including the new Colonial President (Mary McDonnell) and a devious and sexy Cylon humanoid (Tricia Helfer). Sackhoff said Sci-Fi Channel is after a different audience than the old-school Galactica fans - one of whom is Sackhoff's father.

"I was raised on Star Trek, and my father is a huge sci-fi fan," she said. "He remembers loving (Galactica) as a young man."

However, Sackhoff took the role without having seen the old series. To prepare, she watched as many episodes as she could find and was surprised by what she saw.

"I watched it with a friend, and they kept talking about Starbuck, but I'm like, 'She's not in the room,' and my friend said, 'Dude, I think he's that guy,'" she said. "We were like, 'Oh ****.'"

Beyond some physical training, there wasn't much more she could do to prepare for the part. She wasn't about to try hitching a ride in a jet fighter, for instance.

"I'm terrified of heights," she said. "Me flying a plane would be the funniest thing ever. I hate flying."

She did work out - which paid off. An opening sequence in Galactica is a single, uncut tracking shot that follows various characters through the corridors of the ship - often crossing paths with Starbuck, who is jogging in the hallways.

"I was really disappointed that it doesn't show the heartache, sweat and tears on my part," she said. "It took about three-fourths of a day to shoot that scene, and I was constantly running. The tunnels open and close (to allow cameras access to a variety of angles), and they would have to close off sections, so I would have to sprint outside all around to get back in the shot.

"I was so exhausted, I slept like a baby that night and my ass hurt all the next day. This was the hardest thing ever. I'm very proud of it."

Sackhoff grew up in Portland, Ore., and moved to Los Angeles after high school. She had a lead role in the MTV pilot Locust Valley, costarred in the Fox Family Channel series The Fearing Mind, had a recurring role on MTV's Undressed and guest spots on ER and other shows.

Later, she co-starred with Richard Dreyfuss in the CBS series, The Education of Max Bickford, and appeared in the movies My First Mister, The Glass House and Halloween: Resurrection.

"Halloween was a crazy movie to shoot," she said. "It was a case of the campier you can be, the better. You know you're not going to win an Oscar for this, so I was out of control that whole movie. I was the character people wanted to see die."

With all that behind her, Sackhoff approached Galactica as "just another job."

"I was really excited about it, but I had no idea what I was I was getting myself into," she said. "That was kind of the general consensus on the set."

She described the script as "character driven," with sci-fi trappings as "frosting on the cake." She said the director took an "almost documentary" approach to shooting, using steady-cams and other low-tech techniques.

If ratings are good, the miniseries could turn into an ongoing job. Sackhoff's already signed on for an extended tour of duty.

"I would love to do a series," she said. "There are so many different places to go with it. And it's science fiction: Anything is possible, which is really fun."
----------------

(NOTE: I followed this up with a review of the mini-series pilot that was published Friday, December 5, 2003:)

A modern spin on classic camp

From Wikipedia
One of the themes of the new Sci-Fi Channel mini-series Battlestar Galactica is that we will be held responsible for the things we do wrong.

This updated Galactica is a socalled "re-imagining" of the 1978-79 ABC TV series. The original told of desperate space voyage of a group of humans who had survived a genocidal sneak attack by a relentless robot army, the Cylons. It was referred to at the time as a "Pearl Harbor in space." The story takes on new meaning in a post 9/11 world.

The original series starred Lorne Greene as Cmdr. Adama, Richard Hatch as Capt. Apollo, and Dirk Benedict as Lt. Starbuck. It won an Emmy for its costumes and broke records for viewership and production costs in its early episodes. Ratings were still good when ABC cancelled the show, citing its cost.

A kiddy sequel, Galactica 1980, died after a handful of episodes. The storyline resurfaced in recent years as a comic book series and in novels co-written by Hatch. When XMen director Brian Singer bowed out of a proposed sequel movie a few years ago, Sci-Fi Channel tapped ex-Star Trek writer Ronald Moore to pen an all-new take on the concept.

Old-school fans were incensed by his version (leaked to the Internet), which recast "Starbuck" as a woman, made the Cylons into God-obsessed and sex-starved humanoids, and jettisoned much of the original mythology.

They howled too soon.

Disclaimer I: The preview copy of the new mini-series, provided by Universal Studios, was far from TV-ready: special effects were incomplete, the video was murky, music and sound effects were place-holders rather than actual broadcast sounds, and the edit was subject to change.

That having been said, Moore's tale leans heavily on human relationships rather than sci-fi; exchanges between characters are low-key rather than melodramatic; the director takes a cinema verite approach that makes events seem to happen in real time - complete with uncomfortable quiet moments and sudden violence - often captured by hand-held cameras that intensify the immediacy and lend a documentary edge to some scenes.

This new Galactica isn't for all ages, and parents should be advised. The language is raw, sometimes crude - which might be the way sailors talk, but is not usually heard on prime time TV.

The characters also are over-sexed: Cylon No. Six (former Victoria's Secret model Tricia Helfer) can't keep her hands off of men's private parts, and there's more kissing going on in the Galactica's corridors than would seem prudent on a ship of war.

However, Edward James Olmos brings a quiet strength and dignity to the role of Adama, a man who thought his time was past, who has lost his family to a career that is ending, and who has resigned himself to obsolescence - only to find that his people need him. He's a tough leader, he makes hard decisions, and he's not afraid to be brutal, as seen in a hand-to-hand scrap on the second night. He knows how to get the most out of his crew and when to back off from a fight. He knows he will be called to answer for the consequences of his actions.

The standout role, as in the original, belongs to "Starbuck," which is now the call-sign of Katee Sackhoff's character, Lt. Kara Thrace. Sackhoff (see her exclusive interview in last Friday's Out & About section) channels Benedict's spirit in a climactic space dogfight, but otherwise, she plays Starbuck as a hotheaded rogue who picks fights because she harbors a terrible secret. There's that theme again.

Old-school fans universally reviled Sackhoff before the first preview copies of the show were distributed, both personally and for the part she plays. But reading their remarks online, I imagined the wailing and gnashing of teeth that would have resulted in the mid-1980s if the Internet had existed as a major media outlet and Trekkies had heard about a proposed "next generation" Trek with a bald, French captain.

Star Trek: The Next Generation had some rough spots at its launch as well, but it went on to universal acclaim in its seven seasons. Perhaps the Galactica crew will have a similar opportunity. They deserve it.

Disclaimer II: I came to the new Galactica having interviewed Sackhoff by telephone and having been (at age 14) a fan of the original. Some of my enjoyment was thus influenced by trivia: Listen for the original show's theme played as the national anthem of the new 12 Colonies; look for glimpses of 1978-version Cylon ships and robots in a museum sequence.
-------------------

(NOTE: Finally, as Galactica returned to the airwaves as a full-fledged series, I had another chance to talk with Sackhoff.  The following saw print on Friday, January 14, 2005:)

A new face for Starbuck

TVGuide.com
Katee Sackhoff has earned her sea legs. As the hotshot pilot "Starbuck" on Battlestar Galactica, the Sci-Fi Channel's edgy new version of the 1978 space opera, Sackhoff took a fan-favorite male character with cartoonish overtones and transformed him into a living, breathing female - wreck.

Just the kind of person heroes are made of.

Sackhoff spoke to The News Herald before the 2003 miniseries aired and described her role at that time as both physically demanding and well developed.

"From the beginning, I loved the character," she said back then. "I thought, for a young woman, she was written so well - a strong, independent woman. She's also very much a loose cannon. You never really know what Starbuck's gonna do."

More than a year later - having completed another 13 hours of episodes and countless days of rehearsals and physical training - her enthusiasm for the role has only grown. She spoke with the paper again by telephone from her California home just before Christmas, as she and her mother prepared for a family trip to Australia.

"There are a lot of things as an actor that have been hard for me in this series," Sackhoff said. "Always before, the roles I've done have kind of been extensions of who I am. Starbuck, she's kind of everything. She gets to do everything - sharpshooter, pilot, teacher, lover."

The series premieres tonight with two back-to-back episodes that pick up only days after the humanoid-robot Cylons have wiped out most of the human race. About 50,000 survivors have fled in a fleet of spaceships led by an aging battleship, the Galactica, and its dwindling warriors and supplies.

The emotional side of Starbuck has surprised Sackhoff, as she has had to suppress the character's natural physicality because of her story line. A few episodes into the season, Starbuck is injured in a fiery crash; her recovery carries over throughout the remainder of the season.

"That's hard as an actor because I couldn't do anything," she said. "I had scenes I had to maneuver around with this huge brace on, and couldn't get around - so it's very hard on Starbuck too, as a character, emotionally, and it has to do with her injury."

This leads the pilot to sparring in other arenas. In one intense episode, still leaning on a cane, she interrogates a Cylon prisoner.

"That's just me and another actor - talking. Very interesting," Sackhoff said. "Again, it's tough for Starbuck because she has to bring other people in to do her dirty work because she can't do it herself."

Sackhoff said Starbuck's emotional strength is tested more than her physical strength - and that's harder to play. She points to an episode in which she confesses to Commander Adama (the formidable Edward James Olmos) that her bad decisions contributed to the death of his son - her lover - Zach.

"Even in the moments when she's telling him she believes she's responsible for Zach, there's a lot of emotion there, and I'm trying so hard as a person not to cry," she said. "As actors, we embellish that. We think tears are what the audience wants to see. And then, Eddie's got this amazing presence - he's terrifying, and I'm convinced he was going to hit me. It's emotional stuff. It drains you, and you feel it for days after."

As the season progresses, a relationship of sorts develops between Starbuck and Baltar, the mentally unstable genius whose sexual indiscretions with a Cylon femme fatale led to the downfall of the human race. They first become poker opponents, then dance partners.

"I think what happens is that Baltar and Starbuck seem to be outcasts in a sense - not understood by people, and they find that comfortable and kind of nice together," Sackhoff said. "As an actor, when I'm in a scene with James, I know that the scene's gonna be fun 'cause we're both crazy and the sky's the limit and that's kind of why (the writers have) put them together. They're kind of lost souls."
---------------

(NOTE: The following was a separate story that ran on the Out & About page as a "What We're Watching" entry. I believe it ran a few days before the interview above, but I don't have the date handy. Or the headline.)

Wikipedia.org
They are shell-shocked survivors of a sneak attack by an implacable enemy who thinks God is on its side. They struggle with issues of personal freedom in a state of constant warfare, dwindling resources and raging paranoia.

This is Battlestar Galactica, the disco-era sci-fi franchise, reincarnated as a modern military adventure with sociopolitical commentary for a post-9/11 world.

A new TV series premieres Jan. 14 on the Sci-Fi Channel, after NBC broadcasts a trimmed-down version of the 2003 miniseries Saturday that "re-imagined" the Galactica concept for a new millennium. Sci-Fi and NBC are part of the NBC-Universal media group, which is producing the new series.

"It will bring a whole different range of viewers to the show," said Katee Sackhoff, the actress who plays hotshot star pilot Lt. Kara Thrace (call sign "Starbuck") in a recent interview. "There are people who never go past those first three or four channels on the TV, who don't even know there is a Sci-Fi Channel, and this is really great for us, and really smart for NBC-Universal."

Sci-Fi Channel also plans to rebroadcast the entire miniseries, as well as appease fans of the original source material by showing the 1978 Battlestar Galactica and its far inferior spin-off, Galactica 1980, in the week leading up to the series premiere.

The early episodes pick up only days after the Cylons attacked the 12 colonies and killed every human being they could find. None of the survivors is sleeping. A ragtag fleet of human ships is on the run, jumping to random coordinates in deep space, and somehow the enemy is finding them every 33 minutes. People suspect there's a traitor among them.

Then Capt. Lee "Apollo" Adama (Jamie Bamber) has center stage in a claustrophobic episode aboard a ship of convicts who take hostages. He's pitted against a man who calls himself a political prisoner -- others call him a terrorist -- portrayed by none other than Richard Hatch, who originated the role of Apollo in the 1978 Galactica.

NBC/Universal
A favorite episode for its emotion and nonlinear structure delves into the haunted memories of Starbuck as she struggles to survive in a crippled star fighter. We see the death of her lover (Apollo's younger brother), for which she blames herself; training new pilots after an accident kills several experienced hands on the landing deck; admitting her failures to her commander; fighting for her recruits' lives.

Throughout are standout performances by high-caliber actors including Edward James Olmos as Commander Adama, Mary McDonnell as President Laura Roslin and James Callis as Dr. Gaius Baltar.

The new series premiered several weeks ago in Great Britain, where it has received rave reviews.

"It makes the release date here easier," Sackhoff said of the good buzz overseas. "It's nice to be able to say that people like it. Trust me, it's good."

Wednesday, April 24, 2013

Finding the Spark of Happiness in the Night

Photo by astrophotographer Jeff Berkes, April 14, 2013
PANAMA CITY BEACH — I was lying on my back in the middle of the street outside my house on Monday night and thinking about happiness as a state of being.

I had been searching the sky for fireballs, as it was supposed to be the day of the Lyrid meteor shower (but it seems the peak had been sometime before dawn on Monday, so I was late). The day had been cloudy, but as the night settled in, the clouds parted. A slight haze caught the lights of nearby businesses, however, obscuring most of the stars — and with them, any laggard meteors.

But I wasn’t disappointed, and here’s why:

I wasn’t alone out there in the dark. My wife and daughter also were reclining on the pavement, with couch pillows under their heads. We talked about our day and our upcoming vacation, and we joked about being discovered by a passing possum that might wonder what sort of roadkill we were.

(I will admit to a moment of panic when, after my eyes had adjusted to the dark, I glanced aside and saw bright lights on the street intersecting the one where we lay, and I thought a car was approaching; it was only the lights from our living room casting a golden glow on the street.)

As we stared into the heavens, waiting for a glorious revelation that never presented itself, I was glad to be aware of that moment, fully engaged and recognizing the sanctity of the experience.

It seemed all the more important, in that the day this occurred marked one week since the Boston Marathon bombings. So much negativity, sadness and anger had filled the week prior, that releasing all of those emotions for the simple act of being still and enjoying the stars seemed like the only revelation I actually required.

The next day, I sat in St. Andrews Coffee House eating my regular order and eavesdropping on an elderly gentleman’s loud conversation with his lady companion. The arrival of our sandwiches had precipitated a lull in conversation with my own luncheon companion, so the talk at the neighboring table invaded the silence.

The gentleman was talking politics, calling people “idiots” and shifting in his chair, while I was watching foot traffic on the sidewalks, the light clouds skimming through a blue sky, and enjoying the gentle breeze coming through the open door. I thought, he needs to hush and listen to the breeze. He might not live longer, but he’d be happier about it.

Later that same day, I received an email promoting the Amazon best seller “A Short Course in Happiness: Practical Steps to a Happier Life,” by certified psychology coach Lynda Wallace. According to her, research shows that the happiest people do four basic things that make the difference in their lives: They focus on what is good and positive in their lives, cope effectively with life’s inevitable challenges, develop strong relationships and pursue meaningful goals.

Now, I don’t know how effectively I cope with life’s challenges, but I have made a concerted effort to focus on the positive. I have goals I believe are meaningful, but most importantly I’ve been trying to develop meaningful relationships with creative, positive, compassionate thinkers and doers, both in my family and my circles of friends and acquaintances.

There are so many good people who share this region with us — artists, writers, philosophers, musicians, readers, actors, scientists, theologians, environmentalists, teachers, students and so many others. People doing good, striving to be better, and hoping for the best.

People who happily stare into the heavens and seek enlightenment, though our vision is clouded and our understanding limited — if only to wish upon a falling star.

Peace.

(This is my Undercurrents column for this week.)

Friday, April 19, 2013

Flashback Friday: There Can Be Only One

Once upon a time, I got to talk with Adrian Paul, who was at the time filming the second season of Highlander: The Series. A publicist provided me with a mobile number to call at a specific time, and I did, but we were barely past greetings when he told me the phone battery was dying. Then it died. About 10 minutes later, my phone rang; he had located another phone with service in the remote area where they were shooting, and called me back. We kept it short, but I was always impressed by his effort to make the connection. The following ran in The News Herald's Entertainer section on Nov. 19,1993:

From IMDB.com
 TV's 'Highlander: The Series' fights for viewers

"I am Duncan MacLeod of the clan MacLeod. I was born 400 years ago in the Highlands of Scotland. I am immortal, and I am not alone. For centuries we have waited for the time of the Gathering, when the stroke of a sword and the fall of a head will release the power of the Quickening. In the end, there can be only one..."

So begins each episode of Highlander: The Series, a syndicated hour of action, swordplay and immortal magic based on the movies of the same name. On the big screen, Christopher Lambert and Sean Connery played deathless warriors battling for the future of the world.

On the small screen, that responsibility has fallen to Adrian Paul as Duncan MacLeod. A native of London, Paul divides his time between Los Angeles, Vancouver and Paris. Paul won't give his age, but said it is less than 400.

"I traveled Europe for many years, doing choreography, dance, modeling. I did a lot of different things,'" Paul said. "I studied a little bit in England, a little bit in New York, until I decided that Los Angeles was a lot easier being poor in."

Paul was interviewed by cellular phone from the "highlands" of Canada. He was on location at the top of a mountain in Vancouver, filming an episode involving MacLeod's struggle to protect an Indian woman and her baby.

The series goes on production hiatus in December, then moves to Paris for shooting the second half of the season. The show is co-produced by American, Canadian, French and Italian investors.

"It's doing very well in Europe (where the films were also hits)," Paul said. "It's actually on in prime time there on major networks. In the United States it's a syndicated market, therefore it's shown at odd times of the night. Most of the time, when people finally see the show, they say, 'Oh, I didn't know this show existed.'"

THE QUICKENING

Paul previously starred in War of the Worlds, another syndicated action-adventure TV series based loosely on the 1953 movie, and he has guest-starred on shows like Murder She Wrote, Beauty and the Beast, and others.

"On War of the Worlds I was taking over somebody else's part, and that's very hard — to come in and replace somebody who has a certain amount of fans," Paul said. "People are used to a certain format on the show. If you change it drastically, then the changes have to be very good or they can be disastrous.

"In a way, there's a similarity (between the two series) because again I'm taking over a role that's already been pre-formed in peoples' minds. (Fans) have a larger vision of the Highlander from the huge production values and larger effects (of the movies). So coming into this, people really look at me and say, 'Is he the Highlander? Do we really like him?'"

Highlander's power rests on creative editing and camera work, the interweaving of past and present plotlines, the sense of history inherent in the drama, the dark humor and deep emotion balancing the violence, and Paul's obvious comfort in the character.

"I think you have to portray part of your own belief, otherwise you can't portray a character correctly. I think that there is part of Duncan in me," Paul said. "It's hard not to have a part of you in the character if you're doing 44 to 66 shows."

Paul handles a sword like he's actually used one for a few lifetimes. He said his choreography experience helped him in that aspect of the series.

"Also, I started picking up the sword before I did the series. I've had some martial arts training, and I did swordwork with the katana, which is the sword I use (in the series)."

(NOTE: The file I have breaks off here, though the interview continued. I will try to find a hard copy and post the remainder of the interview.)

Thursday, April 18, 2013

'Century' novel now available on Kindle

My first published novel, "Welcome to the Dawning of a New Century," which debuted in late 2004, is now available for Kindle devices and other mobile devices that run the Kindle app.

>>Click here to check it out<<

Going through it to format it, I got the chance to revisit it like I haven't done for many years, and I'm relieved to say I still like it. If you have ever had the chance to re-read something you wrote many years ago, you may know how it feels - kind of like reading something that's familiar, but that you don't recall writing?  Often, I cringe when I read old work.  I did run across a few passages that I think I would have done differently if I had them to do over, but for the most part I'm pleased with this still.

If that's not a lukewarm endorsement, I don't know what is.  That's not how I meant it.  What I meant is, I liked this book and was very proud of it, and I still do and I still am.  Please check it out (you can read about 2.5 chapters in the preview).

If you've read it, please write a review. Thanks!

Wednesday, April 17, 2013

Getting in the groove



PANAMA CITY BEACH — My haul at last Saturday’s Vintage Market in downtown Panama City included four albums featuring old-time radio shows of “Superman,” “The Green Hornet,” “The Shadow” and “The Lone Ranger.”

My friend Brady has said he once tried to listen to an old radio show, but it was too strange — apparently stranger than an audio book or whatever the closest modern approximation might be. I replied that “The Shadow” was “The Walking Dead” of its time — appointment radio; no doubt future generations will look at “The Walking Dead” and not understand our fascination with the quaint technology called “television.”

Other than the treasures I find in thrift shops and yard sales, my album collection has swelled in part because family or friends no longer played theirs, so they gave them to me. It’s how I accumulated everything from Broadway musicals to the Dead Kennedys, from chamber music to King Crimson, and from Boots Randolph to Souxsie and the Banshees. It also has helped me develop as broad a range of favorites, which I often display in a changing rotation.

One wall in my writing space at home features albums exhibited in frames; I trade them out when the mood strikes. Recently the collection has focused on portrait covers and included the likes of Kate Bush, Johnny Cash, Todd Rundgren and Nat King Cole. Before that, it was a group of movie soundtracks. During the season, it features old Christmas records. I suspect it’s about to be filled by radio shows.

And it’s not just nostalgia, either. Vinyl lives.

That’s more than simply a statement about the “warmth” you might hear someone describe when comparing the sound of a vinyl record to a CD or mp3. It’s also a truism about the record industry in an age of digital downloads.

Indeed, if you buy an album on vinyl these days, the price usually includes a code to download the entire album for your mobile listening pleasure.

Vinyl will be celebrated Saturday with international “Record Store Day,” which is also a way to recognize local music shops. Both objects of attention may seem like dinosaurs (and this is a guy who still works in print media talking, so I’m not calling names), but they still have life in them — and maybe even a bright future.

Central Square Records in Seaside is the nearest participating store, marking its fifth year as part of the event. The shop will have most of the limited-edition records being offered for the day and lots of giveaways (record totes, label samplers, T-shirts). There will be live performances in the store by Chris Alvarado (releasing his new album “Home"), Cody Copeland (supporting his new release "Two States"), and Gileah & The Ghost Train.

Central Square will also have a drawing for a test pressing of J.J. Grey’s new album, "The River." The store opens early for the event — 8 a.m. — and there will be a crowd, so be prepared.

Peace.

Tuesday, April 16, 2013

Two Writers: A Video

Thanks to Lou Columbus for shooting and editing this chat between me and Michael Lister. It's a bit long, but if you have the time, we both read from our work in the second half; Michael reads from his newly released novel, The Big Beyond, and I read from a work-in-progress, Giants in the Earth.




Thanks again, Lou!