Thursday, October 29, 2015

Throwback Thursday: Best ‘witches’ for the happy birthday ghoul


(Originally published Sunday, October 31, 2010 in The News Herald.)

She arrived squalling in the dark and early hours of a Halloween morning, an absolute treat after a frightening and tricky delivery, our own tiny gremlin. Later that day, a boy dressed as the Flash gave her a kiss — through his face mask — before zooming off to trick-or-treat.

She has worn many costumes in the 19 (all too short) years since then: baby pumpkin, fairy-tale princess, pink Power Ranger, witch, Indian princess, police officer, Dorothy Gale, gangster moll and many more. She’s even been known to create a costume and makeup out of boredom (see above).

She won a prize in a sci-fi convention costume contest one year for the Star Trek outfit we dressed her in — mostly because she was an awfully cute 4-year-old at the time. The grownups in their expensive “uniforms” were not amused.

Over the years, we developed a tradition of taking the birthday ghoul out to eat before going trick-or-treating; the whole family would wear costumes to whatever restaurant she chose. That came to an end the year I wore a Star Trek costume and everyone in the joint came by the table to make jokes.


She absolutely refused to let me wear a Mr. Fantastic outfit a couple of years back, but that might have had more to do with the way my gut stretched the fabric.

I suppose there’s only so much humiliation a young woman will endure from her father.

For the last few years, she has wandered the neighborhoods of the Hammocks in Lynn Haven with her friends and has hauled home loads of candy — so we’re a little disappointed that she has finally decided she’s “too old” for trick-or-treating. Looks like we’ll have to hit the after-Halloween sales on All Souls Day.


All this is to say that, no matter what outward outfit she wears or how many Halloweens she has seen, she’ll always be our little monster under the surface.

Happy Halloween!

Tuesday, October 27, 2015

Behind the Writing (Part 3): Refilling the Creative Well

The following is the last in a three-part series about the craft of writing, specifically characters and situations, why we write stories, and how to refill the creative well. These conversations took place in early October 2015 with author Mark Boss and myself.

>>Click here to read the first installment<<
>>Or here to read the second one<<

Mark Boss, our friend Carole, and me at Books Alive 2015.

Mark: One last thought. I’ve been thinking about this one a lot lately. I’m convinced — you’re torn so many different ways. You’re expected to blog, you’re expected to tweet and Facebook and all these different things. But every time you do that during the day, I think you use up a little bit of creative energy. Maybe not a lot, but a little bit. And then you have to wonder, is there any left over when you actually go to write? So my question is not whether that’s worthwhile or not — because it’s probably necessary — but rather, how do you refill the well after you’re tapped out, after a long week or a month, or even when you finish a long project? Because with a book, you might be committing to a year or two’s worth or work.

Tony: And that last push leaves you with the thousand-yard stare.

Mark: And by the end, you’re a zombie. How to you refill the well? What goes into that to bring the water level back up? ... I find that I do a flurry a reading as soon as I’m done (writing) a book. All the stuff that’s been piling up on the Kindle or in stacks, and not just fiction, a lot of non-fiction. When I’m working, I might be reading about 50/50. But afterward, man, I’ve got to fill my brain back up. There’s wanting to catch up on all the TV shows you missed and all the movies you didn’t see. So, for like a month, I go nuts. But then, pretty soon, there’s that itch like, man, I’ve got to write something. You can’t wait until you feel full again to start writing.

Tony: For me, there’s a couple of things. One is, I give myself permission not to be obsessed or upset that I’m not writing. I didn’t always do that. I don’t really do a lot of reading while I’m in the middle of a project. I’ll read a comic book, or magazine articles, watch TV for an hour or two — during the writing process. After the writing, I want to go somewhere.
Mark: A change of scenery, literally, to refresh the brain.

Tony: Clear the palate, yeah, and I think that’s why going up to visit Birmingham even jumpstarted that (steampunk novel) idea. I was in the middle of a project, and it was driving me crazy trying to finish it so I could start the new one. I was writing notes on one and working on the other. That’s one thing I do, even if it’s just taking a day, me and my wife going to Apalachicola (about a 90-minute drive from home) and walking around. Just something to change the surroundings for a few hours and get your head out of the space it’s been in.

Mark: Get away from the computer. Plus, you bring up the point: Even though you have anew idea in your head, the discipline — the part that’s the difference between being a professional and not — is that you finish the project you’re on. And then you start the next one. You don’t get distracted and start something else. It’s a small point, but important for other writers out there, and readers.

Tony: Yeah, there’s really only two rules: (/Holds up one finger/) Sit your ass in the chair and write. (/Holds up second finger/) Finish what you start. Even if that means just getting to a stopping point. I spent too many years dropping a project and starting something new, just to drop that too.

Mark: I think that happens a lot.

Tony: Somebody said it’s like being in love. You’re committed to this project, and all of a sudden you see this nice shiny new idea over there. And you’re like, this project is just not as pretty as I thought she was. She makes me work too hard. But this idea is exciting. I think I’ll go play with this one a while.

Mark: I think it’s fear. I think people fear finishing. When you’re done, the dream is over. Now it’s time to let go. I really do think fear plays a big part in that. It’s easier to tinker than to finish.

Tony: Today, that fear goes even further. I can submit to all these (traditional publishers) and if they say no, then in the old days that was the end of the story. Now you can publish yourself so fairly easily that you don’t have any excuse to keep it hidden away in a drawer.

Mark: You can’t say, “Well, they kept me out. I never got my shot. I never had a chance.” Now, your baby has to get out there and compete, and it might get beat up on the playground. Those are my deep thoughts I had recently.

Tony: I appreciate it, because I had no deep thoughts to bring to the table.

Mark: You’re good at spontaneous deep thinking.

Tony: Or bullshitting.

Mark: It’s a craft.

Tony: It can be learned.

>>Check out Mark’s stories, available in ebook and paperback at Amazon.<<

Friday, October 23, 2015

Former narcotics agent begins third chapter


Merle & Judy with actor Shemar Moore
MEET THE AUTHOR
  • Who: Merle Sheppard, author of “Ghostly Shade of Pale”
  • Where and When: Sundog Books in Seaside 10 a.m. to noon Saturday, and Hidden Lantern Bookstore in Rosemary Beach 2-6 p.m. Saturday
  • Details: MerleTemple.com and Facebook.com/Merle.Temple.1

 
SEASIDE — Merle Temple, at age 67, has begun a new career as a novelist — a third career, after retiring from the law enforcement and communications. He has worked for the FBI, the Mississippi Bureau of Narcotics, and BellSouth. Now, he’s a successful author.

I caught up to him by telephone this week as he relaxed in Destin with his wife, Judy. They had been out birding, and he had recently spoken to a class at a Destin elementary school. He mused upon his new life and how it reflected in those youngsters, just starting their lives.

“These books have opened up a whole new world for us in our retirement years,” he said. “I didn’t know if anyone other than friends and loved ones would want to read them. ... I am so grateful that I lived long enough and survived so much tragedy to know who and what never mattered, and Who always will.”

His debut novel, “A Ghostly Shade of Pale” introduced the character of Michael Parker, which is based on Merle. Parker leaves Ole Miss in the early 1970s to enter America’s “War on Drugs.” He is kidnapped by heroin dealers and held hostage while working solo undercover. Later, he’s ambushed near Memphis by contract killers hired by the Dixie Mafia. When he becomes a captain, he and his men are ambushed in a heroin deal near Columbus by a sniper.

“Only the dramatic intervention of God saves the lives of agents that day,” Merle said, adding, “All these things and more really happened.”

Merle, originally from Tupelo, Miss., claims to have crossed paths with many of the iconic figures of the 20th century, including Margaret Thatcher, Charlton Heston, Ronald Reagan, George H.W. Bush, J. Edgar Hoover, Newt Gingrich, Dennis Hastert, and countless other senators, congressmen, governors and celebrities.

“I pull the curtain back to allow people to see Washington as it really is, and it is not a pretty sight — where everyone and everything is for sale,” he said.

The second book in the trilogy, “A Rented Love,” follows Parker into the corporate world and high-level politics. There, he finds that the organized crime figures who tried to kill him are choir boys compared to the political criminals he encounters in what Merle calls “the unholy trinity of crime, politics and business.”

Merle is currently at work on the final book in the trilogy, “The Redeemed,” in which Parker — a would-be dragonslayer — pays the price for his crusades and for opposing the power brokers. The treachery runs all the way to the White House, Merle hints.

 “So many I have known in politics love only power and money, but beyond that, so many of them refuse to surrender power even in old age and infirmity,” Merle said. “They made a Faustian deal to rule in hell on earth, rather than to serve eternally in heaven. They equate retirement with death, and they are terrified to stand before their maker. They know what they’ve done, and they know that the road is running out.”

The novels are being considered for adaptation into TV series by various Hollywood producers, which took Merle and Judy to the West Coast for meetings. They watched the filming of “Criminal Minds,” signed books for actors Joe Mantegna and Shemar Moore. The series writer-producer Jim Clemente is pitching “Ghostly” for Merle.

“I have written all my life in the public and private sector — speeches, technical papers,” he said. “People told me, ‘you have a gift of writing,’ but I found out fiction is difficult. It’s tricky to speak in other voices. It has so many threads in it, it’s so complex. It has been a real learning process.”

Merle also believes that what he writes and how he presents it is important. His work, placed in the public eye, is equivalent to the epitaph on his tombstone, he said, in that it’s how he will be remembered.

“My novels, written as fiction but drawn from my life, have no profanity or graphic intimacy,” he said. “They are written as literature to endure, and people love them for that reason. ... People are hungry right now for that, even if they’re gritty books, but behind it is a message that’s uplifting.”

Peace.

Thursday, October 22, 2015

Throwback Thursday: Don't wait for Godot's great pumpkin

(Originally published October 30, 2005 in The News Herald)

As you read this, it's the morning after my daughter's first-ever hosted multi-guest sleepover party.

If all went according to plan, she had youngsters traipsing through the halls in Halloween costumes, eating snacks and birthday cake, half-watching scary movies, staying up to all hours, and dancing to music at a volume that probably was turned down over and over again by weary grownups.

Pray for them.

Bad enough that I can be grouchy on the best of mornings. Worse that my daughter is even more grouchy than me. But that's not really what this is all about.

It's about The Great Pumpkin, and the girl who came to us on a Halloween morning 14 years ago,
and the lessons she teaches.

The Great Pumpkin, like Godot, never arrives. It's the anticipation of his arrival, and our loneliness in the waiting, that matters. Linus sends letters that are never answered; he waits in the patch all night and never sees a sign. He believes in things the rest of us find laughable.

For many years, despite requests from our own "peanuts" gallery, somehow we seldom had a jack-o'- lantern on the doorstep. This year, we got a great pumpkin. We chose it from the patch off State 77 in Lynn Haven and brought it home to lovingly mutilate. It wasn't huge by any means, but it had a good shape and size. And it was ours.

We went to get the pumpkin because our Hallowed Eve princess wanted it, of course, and because her mother's insistence overcame my considerable inertia. And after a few days of having the pumpkin sitting patiently unmolested by the front door, for much the same reason, we took it into the backyard to carve.

As her mother watched, I showed the spooky little girl how to trim off the top and dig out the guts — or brains, if you prefer — to stick to the gourd-as-head analogy. I skimmed seeds out of the fibrous orange mucous and put them into one bowl to be cleaned and roasted. The brains and inner meat went into another, to be made into pumpkin pie or something else Mom might decide to make.

Then daughter and I drew the face, and I helped her cut the holes. She outlined the holes with red paint to increase the daytime scariness. We have since placed the candle inside and shined the light, and it is one formidable jack-o'-lantern.

But there was a moment in between those steps, a moment when I was up to my elbows in pumpkin brains, fingers coated in goo, when I realized my place in all of this. The role I had taken, though active in these final steps, was not the role that had put the gourd on its journey to the front porch.

"This is cool," said the Halloween girl. "Thanks, Mom."

Peace.

Tuesday, October 20, 2015

Behind the Writing (Part 2): Why do we write?

The following is the second in a three-part series about the craft of writing, specifically characters and situations, why we write stories, and how to refill the creative well. These conversations took place in early October 2015 with author Mark Boss and myself.

>>Click here to read the first installment.<<

Mark Boss
Mark: That brings me to my second question: What is it in us that demands that storytelling? I think you go to your caveman, and other people (with him) like stories but there’s probably only one person in the tribe or village that’s a storyteller, and he’s probably a shaman or he’s painting on the walls — “Oh, that was the best hunt ever!” (The number of storytellers is) probably a bigger percentage of the population now because the tools are available to write, but telling stories has always (come from) a small part of the population. I think it only feels big now because there’s so many people publishing. Why is it a small part, and why are people like us driven to tell stories?

Tony: If you strip all the publishing away from it and get down to storytelling, I think everybody tells stories. Every conversation we have with our loved ones, we’re telling stories. If my Mom calls and tells me about an uncle that’s not doing well, she’s storytelling. As a people, a species, we developed language and writing — well, in part to keep track of what we were telling —

Mark: To give it permanence, because we wanted to give stories multi-generations.

Tony: But in those days, and up until recently, most people couldn’t read and write, but everybody would go down to the square to hear the town crier tell what happened in the court, or gather around their radio to listen to serials.

Mark: My grandfather told stories on the porch, and neighbors would come over to listen.

Tony: When it comes to writing, I think the difference between most people and people like you and me is the difference between a child drawing a picture with crayons and the artist painting a landscape or portrait. We found something in us that felt fulfilled and we were drawn further to continue filling that empty hole in our hearts.

Mark: You’re so driven, you spend years learning the technical skills, just like a painter. You take it way beyond what most people would do because you spent all these years developing it. If everyone else did that, you’d have a lot more people who were writers. They’d end up at the same place.

Tony: It is a craft, and it can be taught. It can be learned. Those of us who felt drawn to it also had to learn it —

Mark: Over a long period of time —

Tony: With a lot of trial and error. … If I turn away from it for too long, as you do from time to time, I actually feel heartsick, like there’s something missing. That ‘something’ is telling those stories. At least, for me it is.

Mark: Sometimes it’s the only way I can cheer myself up. If I sit down and start writing, within an hour or two I’m smiling and happy again. It’s unreal. It’s weird how sometimes you purposely turn away from it, then you think, “What the heck was I thinking? Why am I not doing that?”

Tony: What are we hoping to do is to write something that’s going to affect somebody. That they’re going to carry with them, share with other people, and it’s going to make their world a better world, and it’s going to go on beyond you, after you’re long gone. Or, we could just be writing stories to have fun with. If we’re lucky, we’ll be like H. Rider Haggard and a hundred years after we’re gone people will still be making movies out of our stories.

In the next post, we’ll talk about how writers and readers can refill the creative well.

>>Check out Mark’s stories, available in ebook and paperback at Amazon.<<

Friday, October 16, 2015

Get your write on this NaNoWriMo

NaNoWriMo Kick-Off Party
  • What: Tips and tricks for writers; light refreshments
  • When: 5:30-7 p.m. Monday, Oct. 19
  • Where: Bay County Public Library, at 898 W. 11th St., Panama City
  • Details: nanowrimo.org or call 850-522-2120
PANAMA CITY — Writers, it’s time to limber up those typing or scribing fingers, bulk up the brain muscles (or whatever) and get ready for the best month of the year.

November is just around the corner, and that means you’re invited (in fact, encouraged — nay, required!) to set your mind to writing a novel during the 30 days of National Novel Writing Month, or “NaNoWriMo.”

“NaNoWriMo challenges people to write 50,000 words of a novel in the 30 days of November,” said Regina Burgess, Community Relations and Marketing Coordinator for the Northwest Regional Library System. “Crazy? Yes. Doable? Absolutely!”

My recent novel of zombie survival, “This Mortal Flesh,” began as a NaNoWriMo project. I’m planning to write the bulk of a new steampunk novel in November.

As Regina notes, more than 250 NaNoWriMo novels have been traditionally published, including Sara Gruen’s “Water for Elephants,” Erin Morgenstern’s “The Night Circus,” and many more. Last year, NaNoWriMo welcomed 351,142 writers from around the world. Of those participants, 58,917 hit their goals, completing a 50,000-word draft of a novel in November 2014.

If you’ve always said you wanted to do so too, then now’s the time.

To help locals get the ink flowing, the Bay County Public Library will host a NaNoWriMo Kick-Off Party from 5-7:30 p.m. on Tuesday, Oct. 19. I will join local authors Michael Lister, Sharman Ramsey and others during that period to share some helpful writing tips and prompts. Friends of the Bay County Public Libraries will supply light refreshments.

Attendees may also enter a drawing for three gift boxes, each of which includes goodies and the book that started it all: “No Plot, No Problem: A Low-Stress High-Velocity Guide to Writing a Novel in 30 Days” by NaNoWriMo founder Chris Baty.

The library will also host “Come Write In” sessions 5-7 p.m. each Monday in November, with library staff on hand for support and encouragement; participants are welcome to bring their own refreshments.

Finally, the library will have a “Thank God It’s Over” party 5-7:30 p.m. on Dec. 7 to celebrate finishing (or at least attempting to finish) your novels. Again, Friends of the Bay County Public Libraries will supply light refreshments.

 “We have some staff members who are going to participate in NaNoWriMo this year,” Regina said. “I’m one of them, and I am both looking forward to it and scared out of my wits! So far, I have no idea what I’m going to write about or even what genre I’ll attempt. But the unknown is half the fun!”

In writing, it’s about the journey as much as the destination. Come with us into the trackless unknown.

Peace.

Thursday, October 15, 2015

FOUR books of mine for FREE!

Have you ever wondered if you'd like to try my books? Now's your best opportunity:

Three of my novels and a short story collection will be available for FREE via Kindle from Oct. 16-20 leading up to my signing event at Arena Comics on Oct. 21. As always, you don't have to own a Kindle device to read them, as the Kindle app is also FREE to download for your smartphone, laptop or desktop. Here are the books I'm giving away:

THE BOOK OF GABRIEL (An Endtimes Fable)

TALES OF THE AWAKENING DEAD (zombie short stories)

DRAGON RISING (Book 1 of The Shadow War)

THIS MORTAL FLESH (A Novel of the Awakening Dead)

And if you're looking for more details, just check out >>this Facebook event page<< and watch for updates there.