I will be participating in the Books Alive! Local Authors event at the Bay County Public Library on Saturday. Here are the details:
What: Morning presentations and afternoon book signings by 24 local authors; free admission, open to the public
Where: Bay County Public Library Meeting Room, 898 W. 11th St. in Panama City
When: 9:30 a.m. to 3 p.m. Saturday
Schedule: 10 a.m. presentation by Sharman Burson Ramsey; 11 a.m. presentation by François-Marie Bénard; noon-1 p.m. lunch on your own (as the room is rearranged); 1-3 p.m. book sales and signings
Details: 522-2120 or bmead@nwrls.com
I talked with Sharman Ramsey by phone today to prep a story about the event for Friday's paper. She knows a lot of the same people I do, and she credits them with her success in finding a publisher. Specifically, she said, Karen Spears Zacharias told her who to contact at Mercer University Press.
It's often who you know that gets that first foot in the door. The rest is up to you.
(I will post a link to my Undercurrents column later this week, which will feature my talk with Sharman.)
Other local authors participating in Saturday’s event will include Anne Ake, Sherry Anderson, my good friend and former News Herald colleague David Angier, Carole Bailey, François-Marie Bénard, my other good friend Mark Boss, Bert-May Brady, Michael Brim, Jay Furr, Bruce Gamble, my also good friend Michael Lister, Judy McCarthy, another person with whom I am friends Nick May, Janet Nicolet, Pamela Peterson, Christopher Scharping, Todd Vandermolen, Linda Williamson, Greg Wilson, Marlene Womack, the Gulf Coast Woman’s Club “Heritage of Bay County, Florida” and myself, whom I sometimes don't like not at all.
Come out and see us!
Tuesday, October 09, 2012
Sunday, October 07, 2012
A Lesson in Breaking the Rules
SEASIDE — It was dark and clear as I slid the car into a narrow spot close to the Seaside Repertory Theatre, only to see a sign that the spot was reserved for visitor check-ins. Surely that’s just for business hours, I thought. Then I grumbled to myself that it was too narrow for the car anyway (surrounded by oversized SUVs) and I backed out.
I don’t generally break rules, and I told myself that was why nothing was ever easy. What would it hurt, after all? Who could it harm?
We circled through the square, packed with pedestrians, not an empty parking space in sight. Cars and SUVs ahead of us waited for openings, so we passed them and turned behind the Central Square buildings in search of a ready spot.
It was Friday night in tourist heaven, and cars were packed in every which way. (I was sure someone who was not a visitor checking in would have already grabbed the space I’d vacated, and they wouldn’t think twice about it.)
We found a spot a few blocks away from the theater and strolled cobblestone streets. The full moon reflected on the white buildings cast plenty of light.
Down narrow lanes we could see the square, where families gathered for the weekly movie to be projected on a screen in the amphitheatre. I wondered if they would notice the warning as the movie began — the one forbidding public display of the film — and if anyone would even consider not breaking the rules.
Who were they harming? No one I could think of.
We had come to view “Den of Thieves,” the latest play produced by the REP. It’s the story of Maggie (Megan Bode), a shoplifter looking to change her life, who gets tangled up in a crime with Paul (Alan Daugherty), her sponsor in a 12-step program, at the urging of Flaco (Brook Stetler), her jealous, drug-dealing ex-boyfriend, who brings along Boochie (Teance Blackburn), his new girlfriend, a topless dancer.
Max Flicker, Justin Baldwin and Bruce Collier play supporting roles as gangsters. The show is very funny, but is recommended for mature audiences because of adult language and themes (much of it thanks to Boochie, whose favorite “f” word is not the first one you might think of).
Caught trying to steal $750,000 in drug money, the quartet become prisoners in a mob boss’ den. Given until sunrise to choose one person to die and three to donate their thumbs, they engage in verbal gymnastics as they struggle for self-awareness and self-acceptance.
That’s the kind of thing that happens to you when you break the rules. Later in the storyline, a gangster is shot dead. Why? Why do you think — he broke the rules. Let that be a lesson.
After the show, we walked back behind the businesses to our parking spot, past dozens of empty spaces. The town was emptying out, but in the park, the families who had gathered on blankets and lawn chairs still were watching as an extraterrestrial prepared for a return voyage home.
“Be good,” he said.
Peace.
---
Tuesday, October 02, 2012
Catching Up Again - It Must be Autumn
![]() |
| No Jail Will Hold Me For Long |
For some reason, the MDA thought I could help them raise money. Boy, were they wrong! If I'd had to stay put until my bail was raised, I'd still be there.
![]() |
| Tony and Simona |
![]() |
| Nick Signing Books |
![]() |
| Working on a Writing Prompt |
Meanwhile, I continue to struggle with my zombie novel that I began last November as part of NANOWRIMO. And when the struggle gets to be too much, I dive back into my dystopian detective tale set in the Year of the Comet. And waste far too much time on tumblr. And watch far too much TV. (Have you been following Fringe? or Doctor Who? or Revolution? or ... well, I have.)
Peace.
Monday, October 01, 2012
September in Florida is the Bee's Knees
![]() |
| News Herald File Photo |
PANAMA CITY BEACH — Standing on the overgrown edge of a parking lot one afternoon this week, I spent a few minutes watching a bee with oversized golden pods on its legs collecting pollen from a patch of dandelions.
“That’s the bee’s knees,” I thought, and decided to Google the origins of the term when I got a chance.
The sun was headed to the west, filtered through pine limbs and hanging vines lining a creek beside the lot, casting everything in gold. A sense of autumn was in the air, crisp and immediate, and I wondered what I was supposed to be learning from that moment.
Put away stores to get you through the cold months? “Winter is coming”?
Take time to stop and consider (if not actually smell) the flowers?
I’ve been pretty good about the latter one recently. No matter the speed at which the world zooms by, and the desperation with which we are pushed to keep up, it is absolutely necessary to your mental and physical health to take a time-out on a regular basis.
That’s why I was standing by the wilderness just beyond the pavement, after all: fresh air, sunlight and a moment’s quiet. Nature and reflection.
It’s September in Florida, and there might not be a finer time to be here.
Walk the dogs and grin at the birds jockeying for a spot at the bird feeders along the tree line, the Monarch butterflies (or their look-alikes) flittering about.
Sit in the gulf shallows — the water is perfect right now — and feel the waves washing over you.
Float in a swimming pool and stare at a cloudless blue sky until it seems like you’re falling upward.
Wade on the shoreline after dark, picking up sea shells, avoiding the tiny crabs that rush to avoid you. There are dozens of butterflies floating on the tide, more as far as you may walk.
Pause to locate constellations, drawing imaginative connections between the stars. Mars flickering close to the horizon doesn’t seem so much angry as simply wearing season-appropriate colors.
(Is it autumn on Mars, I wondered, and yes, the Planetary Society assured me that Saturday is Mars’ autumnal equinox.)
While I’m online, I look up “the bee’s knees.” According to various sources, the origin of the term is muddled. In 18th century England, it was used in reference to something small or insignificant; in 1920s America, that was reversed as it described something or someone who was outstanding in some way, like “the cat’s pajamas” and similar slang. It is also thought to have been a Cockney term for “business.”
I let these thoughts tumble together in my brainpan like bees in flight, like shells on a flattening wave or the first flurry of a Martian dust storm.
All of these things, no matter how small, are important to someone.
Peace.
---
This was my most recent "Undercurrents" column for PanamaCity.com and The News Herald.
Friday, September 14, 2012
Going to MDA Jail — Post my bail!
I'm going to be "arrested" on Thursday, Sept. 27, and carted off to "jail" at the Outback Steakhouse in PC.
While it's
not a real jail, it's even more important, as I'm raising bail to help
children and adults with muscle disease in my community who are
supported by the vital work of the Muscular Dystrophy Association (MDA).
I might not be able to rely on good behavior to get out, so that's why I need your help: I need you to donate to my bail! Just CLICK HERE to make a secure donation, or you can visit the site MDA set up for me and click on the DONATE TO ME button.
Thanks!
I might not be able to rely on good behavior to get out, so that's why I need your help: I need you to donate to my bail! Just CLICK HERE to make a secure donation, or you can visit the site MDA set up for me and click on the DONATE TO ME button.
Thanks!
Saturday, September 08, 2012
Not what you expect to find in Biloxi
Debra and I visited Biloxi, Miss., this week. While she was at the VA, being put through her paces, I drove along US 98 along the shoreline where the casinos used to be (they have moved, and the ruins of their former pre-Katrina locations remain) and stopped in at the Ohr-O'Keefe Museum of Art, drawn in by the beautiful architecture (designed by Frank Gehry).
Named for George Ohr, "the mad potter of Biloxi," (1857-1918), the museum is much more than just his work. It has his ceramics as well as centers for African American art, a reconstruction of a historic house destroyed by Katrina, and other special exhibits. (Entrance was $10, and the exhibits weren't staffed at the time I visited, so I just stayed to the freebies.) In the main lobby, I viewed the work of Trailer McQuilkin (incredible sculptures of delicate and endangered plants that he made from thin sheets of copper. You should check these out.)
I looked at a small exhibit of ceramics that showed some of the historic pieces unearthed in the area, visited the gift shop, had a coffee in the cafe, then took the elevator to the roof overlook. These images below were taken from the overlook across the campus of several buildings.

Next, I descended the winding exterior stairs into a grove of oaks, passed the various "pods" and went to the sidewalk along US 98 to get another shot of the grounds.
Anyway, I really liked hanging out at this place, passing the time.
Obviously, still under construction, but for a moment it was like strolling through the future. I'm hoping that's a metaphor for something.
Peace.
(The quote on the wall reads: "I am the apostle of individuality, the brother of the human race. But I must be myself. And I want every pot to be itself. This pot is here. And I am the potter who was.")
Named for George Ohr, "the mad potter of Biloxi," (1857-1918), the museum is much more than just his work. It has his ceramics as well as centers for African American art, a reconstruction of a historic house destroyed by Katrina, and other special exhibits. (Entrance was $10, and the exhibits weren't staffed at the time I visited, so I just stayed to the freebies.) In the main lobby, I viewed the work of Trailer McQuilkin (incredible sculptures of delicate and endangered plants that he made from thin sheets of copper. You should check these out.)
I looked at a small exhibit of ceramics that showed some of the historic pieces unearthed in the area, visited the gift shop, had a coffee in the cafe, then took the elevator to the roof overlook. These images below were taken from the overlook across the campus of several buildings.
Next, I descended the winding exterior stairs into a grove of oaks, passed the various "pods" and went to the sidewalk along US 98 to get another shot of the grounds.
Here's another view of the silvery pods showing what appears to be some damage from a fallen oak limb to the one on the right:
Anyway, I really liked hanging out at this place, passing the time.
Obviously, still under construction, but for a moment it was like strolling through the future. I'm hoping that's a metaphor for something.
Peace.
(The quote on the wall reads: "I am the apostle of individuality, the brother of the human race. But I must be myself. And I want every pot to be itself. This pot is here. And I am the potter who was.")
Wednesday, September 05, 2012
After the lights go out
I watched the pilot episode of NBC's new sci-fi-ish adventure series "Revolution" last night. It is still up on the NBC website as of this writing, to view for free (you will have to sit through some commercials during the show, and be warned that the volume on the commercials is about 4 times that of the program).
After a brief teaser that shows the power going out all over the world, the episode jumps 15 years into the future, where the survivors have formed 18th-century villages that pay tribute to feudal lords and "republics." Nothing electrical operates, not even batteries. A young woman named Charly (read as "Katniss" -- she's a hunter and awesome with a crossbow) is sent on a quest to find her uncle in Chicago after some bad stuff goes down at home.
That's all the plot I'm giving away.
I enjoyed the show, though I would have liked to have seen a little more hardship on the road between the village and Chicago; it didn't seem like that much of a trek, which made me wonder why the characters didn't have more of a connection to each other. If Chicago is only a day's march away, you'd have thought Charly and her uncle might have met before.
Revolution is produced and directed by John (Iron Man) Favreau, executive produced by JJ Abrams (Star Trek), and stars Billy Burke as a swordswinging badass and costars someone you never heard of (Tracy Spiridakos) as Charly. It has epic scope, a neat conspiracy, some teasers of things to come. The action sequences are engaging and the scenery is epic.
Seeing the wreckage of the modern world, I was reminded of a History Channel show called "Life After People" that showed you what would happen to our world if we all just disappeared one day. It really wouldn't take all that long for the drains to back up and the wilderness to eat away our proudest constructions.
The concept also brought to mind the excellent novels "Ariel" and "Elegy Beach" by Steven R. Boyett (a former Gainesville resident), except "the Change" that swept over the world in these books ended all technology and brought magic and magical creatures into our world. (I highly recommend these novels; Boyett's treatment of magic as a sort of mental mathematics is incredible, and his characters are human and engrossing.) One of my favorite scenes in the second novel takes place when the characters locate a "bubble" where technology still works and magic doesn't; they take turns listening to an iPod; the young ones are in tears because they've never heard such incredible music, and never will again.
"Revolution" has no fantasy or magical elements to the story, but it has a palpable sense of danger and loss. There is clearly a scientific reason that the lights went out, and I suspect Charly will get to the bottom of it by the end of the season, opening new questions to explore. Check the show out. It premieres Sept. 17 on NBC, if you don't want to stream it.
Peace.
After a brief teaser that shows the power going out all over the world, the episode jumps 15 years into the future, where the survivors have formed 18th-century villages that pay tribute to feudal lords and "republics." Nothing electrical operates, not even batteries. A young woman named Charly (read as "Katniss" -- she's a hunter and awesome with a crossbow) is sent on a quest to find her uncle in Chicago after some bad stuff goes down at home.
That's all the plot I'm giving away.
I enjoyed the show, though I would have liked to have seen a little more hardship on the road between the village and Chicago; it didn't seem like that much of a trek, which made me wonder why the characters didn't have more of a connection to each other. If Chicago is only a day's march away, you'd have thought Charly and her uncle might have met before.
![]() |
| 'Life After People' |
Seeing the wreckage of the modern world, I was reminded of a History Channel show called "Life After People" that showed you what would happen to our world if we all just disappeared one day. It really wouldn't take all that long for the drains to back up and the wilderness to eat away our proudest constructions.
The concept also brought to mind the excellent novels "Ariel" and "Elegy Beach" by Steven R. Boyett (a former Gainesville resident), except "the Change" that swept over the world in these books ended all technology and brought magic and magical creatures into our world. (I highly recommend these novels; Boyett's treatment of magic as a sort of mental mathematics is incredible, and his characters are human and engrossing.) One of my favorite scenes in the second novel takes place when the characters locate a "bubble" where technology still works and magic doesn't; they take turns listening to an iPod; the young ones are in tears because they've never heard such incredible music, and never will again.
"Revolution" has no fantasy or magical elements to the story, but it has a palpable sense of danger and loss. There is clearly a scientific reason that the lights went out, and I suspect Charly will get to the bottom of it by the end of the season, opening new questions to explore. Check the show out. It premieres Sept. 17 on NBC, if you don't want to stream it.
Peace.
Subscribe to:
Posts (Atom)












